James Gurney, who writes the great art blog
Gurney Journey, asks what a painting can tells us about an artist. Speculating from the painting
Peyzazh 1895 (below) by the Russian painter Konstantin Kryzhitsky, of whom gurney was unaware (me to),
Gurney asserts Kryzhitsky "had a deep soul, a love of mystery, melancholy, and music, and a keen sense of nature's moods that must have come from long walks through the countryside. This painting couldn't have been done by a flippant, urbane, or shallow person."
I'm not sure that so much about an artist can be gleaned from a single painting. I certainly have my doubts that Kryzhitsky was not
urbane. Assuming the artist is not attempting to mislead about herself or himself -- and is, of course, not a forger or a machine -- still we may know very little of an artist from a work or series of works. Of course, it depends on the work. I could say very little about
Ellsworth Kelly, for instance, just knowing some of his work. As to Kryzhitsky, taking the assumption that he puts himself genuinely into his work, and
looking at many of his landscapes, I see someone awed by nature both as to its beauty and scale, someone who wanted to show humankind as small in relation to that vastness, someone who had trained as an academic painter and had extraordinary technical skill, and someone who very sensitive and smart.
Peyzazh 1895 is, to my lights, a fantastic painting: from the illusion of smoke from the break in the trees, from the juxtaposition of built and natural world, to the question it raises of whether one is entering or leaving the estate, to the feeling of coldness and sense of place so real (but not slavishly realistic) that I can feel being there. This last point flows readily across many of his works -- below the break a sample (and final comment):